TV Learner response
1) Type up your feedback in full (you don't need to write the mark and grade if you want to keep this confidential).
WWW: Balanced answers to each questions: paragraphed well
EBI: Closer analysis of the CSPR- details and media terminology
2) Read the whole mark scheme for this assessment carefully. Identify at least one potential point that you missed out on for each question in the assessment (even if you got full marks for the question).
Q1:
A scope of various kinds are proposed on the publication – for example the foundation is nearly
space (science fiction); the silver image out of sight insinuates comic books/Marvel universe; the lady on the left proposes combative techniques or kung-fu motion pictures – this is fortified by the swoon pictures out of sight (man in mid-air kick on right-hand side); the helicopter in the upper right alludes to the war film sort.
Q2:
Computerised appropriation in USA/Canada followed in January 2018 and the film is presently accessible on
Amazon Prime in the UK. The dispersion of Chicken was testing in any case very powerful for a speciality small scale spending film.
Q3:
Capital has been blamed for left-wing inclination for negative portrayal of riches/upper
working class white British individuals and positive portrayal of multiculturalism and illicit
migrants. ortrayals depict the two sides. Now and again seem to support the West (and in this manner
private enterprise, overwhelming belief systems, authority – for example market scene). Be that as it may, the legend is an East German, reflecting qualities related with socialism and communism.
3) The first question demanded a response using postmodern terminology. Write a definition here of the three main terms:
Bricolage: In the arts, bricolage is the construction or creation of a work from a diverse range of things that happen to be available, or a work created by mixed media.
Pastiche: A pastiche is a work of visual art, literature, theatre, or music that imitates the style or character of the work of one or more other artists. Unlike parody, pastiche celebrates, rather than mocks, the work it imitates
Intertextuality: the relationship between texts, especially literary ones.
4) The second question was on the film industry. Write down two points from the mark scheme about Chicken's promotion and distribution that you didn't include in your answer.
Little film discharge in arthouse films suitable appropriation for the film – a British social pragmatist dramatization. Likewise, Film4 was a decent home for TV debut in April 2017. It was additionally chose for the curated film membership administration MUBI went for all the more observing, taught film fans.
Advanced appropriation in USA/Canada followed in January 2018 and the film is presently accessible on Amazon Prime in the UK. The circulation of Chicken was testing in any case very successful for a specialty small scale spending film.
5) Look over your mark, teacher comments and the mark scheme for Question 3 - the 25 mark essay question on your TV Close-Study Products. Write a complete essay plan for this question based on the suggested answers in the mark scheme. You can either use something similar to your actual answer or alternatively start from scratch. Make sure it is an extensive, detailed plan focused on the question (representations; social and cultural contexts of production) and offering specific references to Capital and Deutschland 83 for each section. Try and cover the two texts equally if you can and aim to plan around 5-6 paragraphs in total.
1)intro
2) There is unequivocal reference to ongoing occasions and social settings (worldwide monetary accident, expanded dread of fear based oppression, free development of individuals, banters about movement, London house value swelling)
3)The show utilises story authenticity (utilisation of unmistakable spots, individuals, societies, occasions) to make a portrayal of London in 2015 that is intended to seem true however maybe unobtrusively fortifies entrepreneur belief systems (for example compensate for diligent work)
4)The spotlight on the virus war is a reference to real verifiable and political occasions (for example Capable
Toxophilite)
5)The account is organised around the utilisation of double resistances to speak to East and West
Germany and their connoting esteems. Portrayals depict the two sides. Now and again seem to support the West (and in this way free enterprise, prevailing belief systems, authority – for example market scene). Be that as it may, the legend is an East German, reflecting qualities related with socialism and communism.
6)conclusion
WWW: Balanced answers to each questions: paragraphed well
EBI: Closer analysis of the CSPR- details and media terminology
2) Read the whole mark scheme for this assessment carefully. Identify at least one potential point that you missed out on for each question in the assessment (even if you got full marks for the question).
Q1:
A scope of various kinds are proposed on the publication – for example the foundation is nearly
space (science fiction); the silver image out of sight insinuates comic books/Marvel universe; the lady on the left proposes combative techniques or kung-fu motion pictures – this is fortified by the swoon pictures out of sight (man in mid-air kick on right-hand side); the helicopter in the upper right alludes to the war film sort.
Q2:
Computerised appropriation in USA/Canada followed in January 2018 and the film is presently accessible on
Amazon Prime in the UK. The dispersion of Chicken was testing in any case very powerful for a speciality small scale spending film.
Q3:
Capital has been blamed for left-wing inclination for negative portrayal of riches/upper
working class white British individuals and positive portrayal of multiculturalism and illicit
migrants. ortrayals depict the two sides. Now and again seem to support the West (and in this manner
private enterprise, overwhelming belief systems, authority – for example market scene). Be that as it may, the legend is an East German, reflecting qualities related with socialism and communism.
3) The first question demanded a response using postmodern terminology. Write a definition here of the three main terms:
Bricolage: In the arts, bricolage is the construction or creation of a work from a diverse range of things that happen to be available, or a work created by mixed media.
Pastiche: A pastiche is a work of visual art, literature, theatre, or music that imitates the style or character of the work of one or more other artists. Unlike parody, pastiche celebrates, rather than mocks, the work it imitates
Intertextuality: the relationship between texts, especially literary ones.
4) The second question was on the film industry. Write down two points from the mark scheme about Chicken's promotion and distribution that you didn't include in your answer.
Little film discharge in arthouse films suitable appropriation for the film – a British social pragmatist dramatization. Likewise, Film4 was a decent home for TV debut in April 2017. It was additionally chose for the curated film membership administration MUBI went for all the more observing, taught film fans.
Advanced appropriation in USA/Canada followed in January 2018 and the film is presently accessible on Amazon Prime in the UK. The circulation of Chicken was testing in any case very successful for a specialty small scale spending film.
5) Look over your mark, teacher comments and the mark scheme for Question 3 - the 25 mark essay question on your TV Close-Study Products. Write a complete essay plan for this question based on the suggested answers in the mark scheme. You can either use something similar to your actual answer or alternatively start from scratch. Make sure it is an extensive, detailed plan focused on the question (representations; social and cultural contexts of production) and offering specific references to Capital and Deutschland 83 for each section. Try and cover the two texts equally if you can and aim to plan around 5-6 paragraphs in total.
1)intro
2) There is unequivocal reference to ongoing occasions and social settings (worldwide monetary accident, expanded dread of fear based oppression, free development of individuals, banters about movement, London house value swelling)
3)The show utilises story authenticity (utilisation of unmistakable spots, individuals, societies, occasions) to make a portrayal of London in 2015 that is intended to seem true however maybe unobtrusively fortifies entrepreneur belief systems (for example compensate for diligent work)
4)The spotlight on the virus war is a reference to real verifiable and political occasions (for example Capable
Toxophilite)
5)The account is organised around the utilisation of double resistances to speak to East and West
Germany and their connoting esteems. Portrayals depict the two sides. Now and again seem to support the West (and in this way free enterprise, prevailing belief systems, authority – for example market scene). Be that as it may, the legend is an East German, reflecting qualities related with socialism and communism.
6)conclusion
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